Texts in Context: Now We’re Getting Somewhen
Strange shapes move half-visibly in the mists of time; but as the grey recedes, often as not, we seem to find not a window but a mirror.
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literature
G. K. Chesterton: An Author Profile
A romantic English patriot and devout Catholic convert; a friend of Shaw and Orwell and an enemy of modernity; an opponent of socialism and a staunch foe of capitalism: the paradoxes of Chesterton make an elegant closing flourish for our series on the Author Bank.
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Shakespeare: An Author Profile
Shakespeare’s genius is shown not only in his contributions to language itself, but in his power of presenting the emotional and spiritual fractal web of human life on the stage.
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Homer: An Author Profile
The principal literary quality of this, perhaps the most shadowy of all the figures on the CLT Author Bank, is a little ironic.
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What Does “The Great Conversation” Mean?
In fairness to Alice, judging by our recently-concluded tour of the wonder-land of ideas, we must concede that the books generally do lack pictures. Conversations, however …
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Dante: An Author Profile, Continued
DanteAn Author ProfileSecond Canto: Vita Nuova By Gabriel Blanchard From the depths of political, personal, and spiritual defeat, Dante went on—”God knoweth how”—to write one of the great
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Dante: An Author Profile
The canon of literature is like a lofty tower, composed by hands that seem superhuman (for “there were giants in the earth in those days”). Yet one poet surpassed storied Babel; for he did “reach unto heaven, and make a name.”
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Boccaccio: An Author Profile
The Renaissance was a pivotal historical period which did not exist, and lasted for one century that began in 1300 and ended in 1650, give or take fifty years in both directions. These, at least, are the impression one might take away from reading a randomly-chosen handful of modern historians.
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Tolstoy: An Author Profile
Tolstoy:An Author Profile By Gabriel Blanchard One of the pivotal figures of nineteenth- and twentieth-century literature and radicalism, Tolstoy was (as we must surely expect by now) vocally
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